The legendary blues singer, Robert Johnson, was blessed: he came to a crossroads just once in his life.
Me, I’m not so lucky. Not only am I anything but a great musician – Johnson became a blues god when he supposedly sold his soul to the devil – but I keep stumbling across them.
Crossroads, that is, not devils.
Since submitting my thesis, I’ve been beset by doubts and distractions. Should I expand my story into a novel or should I leave well alone? Should I stay on the straight and narrow or widen my horizons?
Should I go this way or that?
My journal, poor suffering soul, bears witness to my meandering missteps.
They begin in mid-October, when, buoyed and emboldened by my thesis-writing experience, I get side-tracked by the Faber novel-writing scholarship, and an application I never submit.
Within days I’m eyeing a different diversion. Having just received confirmation of my aboriginal ancestry, I contemplate applying for an Indigenous Coffee Creative grant, even though I’ve already started exploring my ambivalence in an essay I think I might enter in the Kill Your Darlings non-fiction prize.
It’s easy now to look back over my life and see supposed signs of my ‘aboriginality’. There are the unexplained affinities I’ve felt with certain people and places. The bush, for example. Ever since I spent two years in western Queensland as a kid, I’ve been drawn to the land. And not just in the abstract way most white Australians always have been…
I don’t – apply for the grant or finish the essay. Instead I stumble on, staying, for the moment, on the beaten path.
Within a week I’m toying with pursuing writing as a profession, by enrolling in a Master of Writing.
Mastering that impulse, I impetuously take the next turn, writing three stories: one for the Neilma Sidney prize (not submitted), one a titillating tale, one a work of flash fiction.
He asked for whisky because he remembered he’d liked it, long ago. There was some argy-bargy at the bar over how he wanted it, so he wandered off, finding himself in the beer garden, which was half-full with men and women and music. He planted himself in a corner, next to some plants. Dumping his backpack on the table, he began to go through it, looking for a clue. Before long, a woman in black brought him a glass. On the house, she said, with a wink. He stared at her and used his new powers to freeze her where she stood. Not his type, he decided. Tucking a credit card into the top of her skirt, he let her go, with a wink. She went quickly, stopping in the doorway to study him. Funny, he thought. The further she got from him the closer to her he felt.
Dazed and dishevelled, I duck back on to the main drag.
In mid-November I come to yet another crossroads: Podcast Parade. Making the turn, I pen poems and scraps of piano music for ‘Bitter Sweet Nothings’, an audio work I park when I discover I don’t have the ability or equipment to produce it.
Then I get my study results, which are good enough to send me scurrying down another side alley. Before long I’ve submitted an adaptation of my exegesis to Island magazine. (No response as yet.)
Returning to the high street, I briefly consider becoming a teacher, having had some success at work as a coach, and then an entrepreneur, having fallen under the spell of some of my sillier ideas.
The devil being only in the detail, I move on.
Finally, in early December, I reach my last junction (for now); on one side lies writing as a craft, on the other writing as a hobby. Unswayed by either option, I plod back to the present.
The truth about Robert Johnson’s turning point is now lost in legend. As he left his crossroads (real or imagined) did he know where he was going? Or was his subsequent success an unknown destination, recognised only when it was reached?
The key to life, I suppose, is to keep on walking, eyes on the horizon, going nowhere in the hope of getting somewhere. Only later, looking back, does the path become clear.
Until then, my fate lies in the lap of the gods.
Unless I decide to play the blues, of course, in which case my destiny is in the hands of the devil.