Choking on Words (Writing, A Dangerous Obsession)

Posted on Updated on

So, you thought writing was to be your salvation, that it would save you from obscurity. But what if instead the opposite is true? What if your obsession has got you ‘entrapped’ (as the novelist, Amit Chaudhuri, puts it) and it’s stifling your life?

Such were my thoughts yesterday.

Picture the scene: I’m wheezing at my desk, suffering from a sudden attack of hay-fever. As I search for my asthma spray, a colleague jokes about shoving a pen down my throat to open the airway.

The wheezing soon went – the spray worked its magic – but the image of me choking on a pen stayed on.

Writing has been caught in my throat for a long, long while. Perhaps it’s time I swallowed my pride and gave the game away or coughed the thing up, took a deep breath and got on with the job.


more d12d
about de author

Plotting It Out (To Plan or Not to Plan)

Posted on Updated on

I have a vision. Like Nature in the poem by Burns, my ‘eye [is] intent on all the mazy plan’.

It wouldn’t be my first. I’ve had more five-year plans than the Soviet Union did under Stalin, one every few months.

But does a writer even need a plan?

It probably doesn’t hurt to have one. Planning helps you identify goals, set your direction and keep things in perspective – good practices for anyone, I guess.

And yet writing is a notoriously unpredictable endeavour. Markets evolve, opportunities arise unexpectedly, ideas come and go, and our likes and abilities change as we grow. Success can spring from a single manuscript and some luck.

Try planning that!

It’s nice to think that we shape our destinies, though, so I’ll go ahead and make my next plan. That way I can relax and wing it all the way.


more d12d
about de author

Navigating the Unknown (Writers and Mentors)

Posted on Updated on

Today, as I lunched on the waterfront, I overheard a fisherman explain to his mates why the ship in the distance wasn’t coming any closer.

‘It’s waiting for a pilot,’ he said. ‘They can’t come up the river without one.’

Writing is a lot like sailing; any number of authors have navigated unknown waters with the help of an experienced hand.

Allen Ginsberg had William Carlos Williams, the poet. Thornton Wilder had Gertrude Stein, whom he called his ‘toasted ice-cream‘. And Margaret Drabble had her ‘hero‘, the Nobel Prize-winning novelist, Doris Lessing.

I’ve only ever had one true writing mentor: the wonderful woman who first encouraged me to write. Since then I’ve been sailing solo, rowing around in circles and running into rocks.

In 1975, an unpiloted ship sank in the River Derwent, having collided with a bridge.

Maybe it’s time I found a mentor.


more d12d
about the author

Colourful Language (The Right Hue for You)

Posted on Updated on

Colour has the power to excite our emotions and yet few of us apply it to our writing.

What hues, then, should you use to maximise your mood while you work?

Red
Denotes passion, desire and love. Give it a go when you’re writing sex scenes and romance.

Green
Evokes harmony and peace. Not for conflict between characters or westerns and war stories. Also best avoided when writing reviews.

Yellow
Suggests joy and happiness. Perfect for comedy, wisecracks and witty dialogue.

Purple
The colour of luxury, power and ambition. Best for historical sagas about kings and queens.

Pink
Stands for vulnerability and youth. Use it for that YA novel you’ve been meaning to write.

Black
Denotes death, evil and mystery. Great for crime-writing, tragedy and horror.

White
Symbolises perfection. Not recommended.

Blue
My colour of choice. Calm, logical and intelligent – just like this blog.

Up to the Challenge (All Writing is Good Writing)

Posted on Updated on

Last week I took up the Swinburne Microfiction Challenge: to write five stories in five days in response to five daily word-prompts.

And while I won’t win the prize – one thousand dollars, if you don’t mind – I haven’t come away empty-handed. The exercise has taught me three valuable lessons about me, my stories and literary magazines.

Here’s what I’ve learned about myself: that I’m a craftsman and not an artist. My stories are facile and lack true depth of feeling – that’s take-away number two. And as for literary magazines, I found that their editors favour atmosphere over action.

Sobering stuff. What it means for my writing, I can’t really say.

Having taken the challenge I’ve learned what’s lacking in me and my work: artistry, emotion and atmosphere. What I’m not lacking, though, are the five stories I finished in five days.

I can write!

Against All Odds (Don’t Bet On It)

Posted on Updated on

I know I’m flying too close to the sun when I start believing I can beat the bookies.

I started betting two years ago, on tennis matches mostly. I was obsessed with odds, swept away in torrents of sums. My system had just one flaw: it didn’t work.

The odds, I discovered, are empty. Probability predicts only the past.

Which, by the way, makes me feel more hopeful about writing. For although the cards are stacked against us, they collapse like houses of cards when met head-on.

Lately I’ve tried spreading the risk by betting both ways, with much the same success as before (i.e. none). And no wonder. As the ‘gambling fool’, Randle P. McMurphy, from Ken Kesey’s novel reminds us, ‘you hit or you sit’.

So I’ve decided to sit. I don’t want to be next to fly over the cuckoo’s nest.

Falling Into Place (The Genesis of an Idea)

Posted on Updated on

First China, then Korea, Vietnam and Laos, all the way along the chain to India.

No, that’s not my travel itinerary but rather the projected march of Communism through Asia according to the Domino Theory, itself an idea based upon the domino effect.

Of course, the theory never worked in practice – it was only a theory, after all.

To see the domino effect at work you need only look at my life, and at the genesis of this very series of posts – dubbed, you’ll recall, the daily 12-dozen.

An interview on a podcast gave me an idea for a book which made me think I had to start a writer’s group but to do so I thought better I’d kickstart my blog and a competition hinted at how I might do it.

Down they go!

Ever wonder which domino will be next to fall?

The Worrying Wind (And Music’s Sweet Air)

Posted on Updated on

It’s four in the morning and I should be asleep. But it’s windy outside so I’m not.

Lying here in my fretful bed, I’m reminded of the music of Walter Piston, whose sixth symphony has a questing restlessness reminiscent of the wind.

Despite his name, Piston’s music is anything but mechanical, which belies the fact he also wrote handbooks.

Orchestral music is the least ‘literary’ of the arts; even now I find it hard to put words to its sounds. And yet it was a work based on a play that first sucked me in: ‘The Tempest’ by Sibelius.

Shakespeare’s play has since become one of my favourites and it reminds me now – in my hour of need! – of music’s full power, of its ability to allay the fury of the elements with its ‘sweet air’ (I.II).

I think I’ll put on some Piston.

Erring Authors (Writers Not Readers?)

Posted on Updated on

What’s in a word? A lot, maybe, if it’s the wrong one.

Yesterday a friend found a typo on an author’s website. Not just any author but one whose works are ‘critically acclaimed’. (That’s good, right?)

And not just any typo but one that would make a ten-year-old wince. (‘An writer’?)

Our reactions were different. Concerned, my friend sent an email to the publicist. I was merely amused – ‘schadenfreude’ is too hard to spell – so I made a joke about authors being writers not readers.

Several literary lions, though, struggled with spelling. Jane Orsten, Agatha Kristie and E. Scott Fitzgerald – none of them could spell to save themselves.

As for Earliest Hemingway, possibly the worst orthographer of all, he would remind his editors that it was their job to get his spelling right.

Which is why, I suppose, writers are ‘authors’ and not ‘orthors’.

On Making a Creative Comeback (With Carmel)

Posted on Updated on

Carmel Bird is holding a writing workshop here in Hobart next week. That’s good. Ms Bird is an Australian literary legend, something most tutors can’t claim to be.

What’s not so good, though, is my reluctance to attend.

So why won’t I be making a creative comeback with Carmel, having spent years hiding my literary lights – dim though they be – under a bushel?

Money, first of all. I’m on a ‘smash the mortgage’ kick at the moment so there ain’t much left over for luxuries, literary or otherwise.

Pride, too. I hate admitting to myself – less so to others – that I’m not king of this writing caper. Did I tell you that I’ve published three stories?

And anxiety, last of all. About writing to please others and not just myself. Therein lies the secret to my startling (lack of) success.

Carmel, here I come!